95 Polris 425 Mgum Wirig Digrm

Exhibition Exhibition

"Made in the Canary Islands" Acrylic on suitcase. 2011.

part that is part of a special edition magazine Laisla-object in number 7: 1200 Km http://laisla-revistaobjeto.blogspot.com/

Rose Garden Seating Rows Chart

Daffodils and Ophelia has been closed. I do not know if I have said before, but just in case I say it again. 2010 was already a year epilogue to this series. So now I have to edit and give the sense that I have. I can not take more delay, but it might be good to let sit for a little fact, then attack the project without prejudice or vice-pun intended-and perhaps with a renewed idea posteriori, once the experience has dropped some conclusions both personal and formal and aesthetic.

the first idea was to have images of these years my experience looking for love and sex (not necessarily in that order) and meeting people through internet to do so. In fact, there is a break in the series of one and a half because I thought I found something of value. As so often happens, it was only a parenthesis. A bracket that allows me to organize work with a prologue in 2006, the rest of the series between 2008 and 2009, and an epilogue that is 2010 with the change of home, of course, and desires ...

I leave you now with some pictures of those I'm throwing (or not).

Hauppauge Hd Pvr Flashing In Dark Scenes

JFC Ophelia's feet

Juan Francisco Casas . Lesadieux, 2006. (Oil on canvas, 200 x 135cm)

Pokemon Emerald.cht Gpsphone

feet ahead ...

Imagenes De Lalorena Herrera En Vikini

Gio Black Peter - Revolving Door (CENSURADO!)


Gio Black Peter - Revolving Door music video Directed by Bruce LaBruce. Censored Version from gio black peter on Vimeo .


I'm glad I could see at least a couple of days the full video (in all senses of the word) ...

Motorcycle Awareness Speech

Boris Mikhailov Case History

"This series of photos is not actually my latest work. It is a cycle called "Case History", that I might equally call the "clinical file of a disease". It took shape round 1997-1998. A big city, such as Harkov, offered me a great deal of raw material. And I did not miss it, I did not ignore it. I tried to capture the feeling of their helplessness, of their social oppression; I one witnessed a scene whereby a strong young man caviled at a poor guy passing by and kicked him hard. I even thought I had heard the poor man’s bones break. Nobody noticed it, either those nearby, or the militia man patrolling close by. I felt guilty, as I often feel guilty of things I see and take pictures of. Many people tell me that they have noticed such guys only after seeing my photos. Before, they didn’t have eyes for them. I could not say that I am a "chronographer" above all, because I am selecting, even sniffing situations for a long time. They say about me, and now I am repeating myself – because I like the comparison – that I proceed like a cat hiding, watching. I am waiting for the best moment to push the button of the camera. Eventually I do show the raw, direct, non-mediated photographic image. I am not trying to take pictures of sensational things, but rather of those things which are in excess. I am trying to find the unique in that manifold reality itself."

( Boris Mikhailov )

 

 

"The art of making what is prohibited in Mikhailov visible. It shows that normally only allows the madman and the artist: the connection between violence, lust and social stability. Viewers of his work that it closed its eyes to confirm what your images prevent ignore: that we should ignore execrable portion of society because their existence should not be integrated in our consciousness, and can not be integrated into our consciousness because it is the repressed Other. "

(Anne von der Heiden)